Staz (like so many of his contemporaries) got his start at Marvel UK back in the 80s.
Notable runs on Action-Force, Thundercats and especially Transformers earned him a legion of fans that follow his work to this day.
Following a brief hiatus from comics where the artist concentrated on fantasy art for the burgeoning RPG market, a newly inspired Staz returned to marvel UK in the early 90s. Directly influenced by the next generation of super-hero artists (Jim Lee in particular) his dramatically improved and even more dynamic art soon caught the attention of Marvel US, the big time beckoned. High profile stints on the Avengers, Spider-man and Force Works cemented his reputation as an artist to watch.
Greener pastures lay across town at the DC offices, where he produced a memorable 6 issue run on the companies’ top-selling flagship title: Detective Comics. The next step was a regular series of his own, he duly obliged providing massively popular and lengthy runs on Robin, Superboy and fan favourite Catwoman.
The wildly popular prestige series Batman/Aliens 2 followed, ensuring Staz’s place
in the Batman hall of fame.
Returning to Marvel attention grabbing work on Spider-man and other major titles once more proved his versatility and command of dynamic anatomy combined with consummate storytelling.
Recent works include an eye-popping comic for those incorrigible folks at high end lingerie designers Agent Provocateur, and Magenta Wild a groundbreaking comic strip created especially for the Sunday Times magazine.
Coming soon from Classical Comics will be Staz’s adaptation of Bram Stoker’s
Dracula, inking himself, with bold and atmospheric line work it promises to be one of the artists’ finest achievements.